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Lorelei the Pixie

One-Line Logline for the Character

Lorelei is a young quiet English girl who has landed in Paris without a past. A silent observer, she’s entranced by the city of lights. Honest, earnest and a strong, but quiet, believe in herself. Lorelei is a runaway. 

Narrative Function

Purpose in the series (why the story needs her)

Lorelei is the moral heart of the story. she is the one character that will never sway from what is right. When she makes a mistake, and she does, she always is honest with herself and others. Indominitable - in one word. She is constantly talking to herself, and we benefit from the exposition but worry about her accuracy of view-of-the-world.

The corruption of the twentieth century will affect everyone else, and at times, even her, but she will gather herself and set back on the straight course to the future.

Relationship to the protagonist(s) (if she is one)

She is the partner to Sarina on stage and in their detective work. In fact, she loves her, if just in an unrequited way (or platonically). Sarina's sharper edges contrast with Lorelei's more spiritual sensability.

What she provides the audience (awe, levity, menace, moral compass, seduction, misdirection)

She provides the audience with hope. She also provide the audience with anxiety, and fear at her potential demise. She ulitmately shows love and kindness as values over all other challenges

How she changes the plot mechanically (what she makes happen)

She is always lucky. In the absense of ability the universe seems to reward her with the right outcome just when she needs it. She is the calm thinking, the slow thinker in times of stress. She tends to be more 'in her body' than Sarina who is more cerebral and calculating, so the acrobatics and physicality of action in the plot tend to be driven by Lorelei. (Sarina sees, Lorelei does)


Core Psychology

Wants (conscious goals)

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

Needs (unconscious / thematic requirement)

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

Fears / avoidances

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

Primary wound / formative event (keep it playable, not encyclopedic)

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

Contradictions (the most storyboard-useful drivers of behaviour)

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

Moral line (what she will not do; what she will do when cornered)

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"


Backstory we Will Actually Use On Screen

  • Three anchor facts you can dramatise or imply visually (not an essay)

  • Secrets (what she hides; who knows; what triggers exposure)

  • Myth / rumour about her inside the Blue Parrot world (helps texture)

Relationship Map

For each key character (e.g., Serena, director/owner, Oberon Drant):

  • Power dynamic (who leads, who yields, when it flips)

  • Trust level (starting point and arc)

  • Currency (what they trade: protection, intel, affection, status, money)

  • Signature conflict (what they always fight about)

  • Signature tenderness (what makes it painful)


Movie

Details

  • Born

    1896 in Exeter, UK

  • Nationality

    English, from the west country but no strong accent

  • Background

    Ballet

  • Ambitions

    Blue Parrot dancer; aspirant, runaway, covert investigator

  • Age range

    18-21


Characters


Visual Design

Silhouette

Face

Eyes

Hands and Feet

Colour Language

Textures & Materials


    Iconic Images


    Costumes by Decade

    1914, The Blue Parrot opens in Paris, War begins

    1914 Variations

    • Stage costume(s) (primary routine look + variations)

    • Street look (day vs night; “blend in” vs “perform”)

    • Undergarments / practicalities (period-true elements that affect movement)

    • Accessories as story tools (locket, garter knife, compact, fan, gloves)

    • Hair silhouette (and how it changes with era and stress)

    • Makeup logic (stage vs offstage; what she wipes off first; what she never removes)

    • Physical condition (bruises, calluses, dancer’s injuries; how they affect blocking)

    • Scent / powder / residue (useful for close-ups and sensory storytelling)

    • Wear-and-tear logic (what gets repaired; what gets stained; what she refuses to replace)

    • Decade evolution notes (a single line per decade: silhouette + attitude)

    • Always-on-her items (the “pockets inventory”)

    • Signature prop tied to theme (mirror, cigarette case, stopwatch, postcard)

    • Weaponry (if any) in a grounded way (concealable, period-appropriate)

    • Paper trail (letters, programmes, tickets, passports—great for montage panels)

    Episode Timeline

    • 1914, The Blue Parrot opens in Paris, War begins

    • 1929, Serena and Lorelei chase Drant to New York

    • 1936, Drant escapes to Spain, the girls pursue

    • 1945,  Life goes nuclear at the Theatre as the girls fail again

    • 1956 Rock & Roll meets the Cold War between our heroines

    • 1964 on separate missions, Serena & Lorelei swing into action

    • 1972 Moon-bound as Drant attempts to destroy the theatre

    • 1985 Hope springs anew as Serena gains the upper hand

    • 1990 - Drant secures what he needs , all is lost

    • 1999 Can the duo reunite, and try one last time to save the world?

    Performance, Movement, Dance

    • Dance style and training (what she’s good at; what she fakes)

    • Stage persona vs private body (two distinct movement modes)

    • Blocking tendencies (claims centre stage, avoids doorways, backs to walls, etc.)

    • Micro-tells (what she does when lying; when afraid; when aroused; when angry)

    • Tempo (slow thinker / fast mover, etc.)

    Voice & Dialogue Rules

    • Speech register (educated, working-class, code-switching)

    • Rhythm and lexical habits (short clauses, ornate metaphors, blunt humour)

    • Taboo words / preferred euphemisms

    • Catchphrases (sparingly—better: “recurring turns of phrase”)

    • Languages used as tactics (French for intimacy, English for truth, etc.

      Cinematic Treatment

      • Default framing (close-ups vs mediums; when she deserves a wide)

      • Lens/angle bias (low-angle power; profile secrecy; overhead vulnerability)

      • Lighting rules (hard footlights on stage; soft window light offstage; shadow language)

      • Editing rhythm around her (lingering shots vs staccato cuts)

      • Graphic motif (mirrors, feathers, clockfaces, cigarette smoke, spotlight cones)

      Emotional Range and Key States

      Define 6–10 “states” that recur and can be storyboarded:

        • Radiant performance mask

        • Predatory calm

        • Controlled panic

        • Tenderness under threat

        • Moral disgust

        • Dissociation / time-slip

          Each state gets: eyes, breath, hands, stance, camera distance that suits it.

      These footlights be fair scorching tonight! (changes tone). Very well—chin lifted, shoulders quiet. Smile as though it requires no effort at all. Don’t look down. Not once.

      The corset pinches; I expand within it. Step, step—precise. Find the boards. Let the floor know I am here.

      Count, discreetly: one, two, three, four. The body may count; the face must never. The face is conversation. The body is discipline. If they can see the labour, the illusion collapses.

      Arms longer. Fingers soft. Hands as punctuation, not fists. Yes...there is the line I have trained for, the line that makes the body look like a sentence written in light.

      Beat variations

      Each episode introduces variations in the sequences to match the advancement of the beats of the overall (10 episode) structure. I.e. Serena and Lorelei’s friendship does not simply just get  getter better it goes through the beats of the overall structure, as do the themes of Romanticism v Horror, and History

      World of Story

      Each episode allows for time to delve in to the particulars of the decade being represented, the swinging sixties, post war Paris, the roaring twenties, the Art Nouveau era, La Belle Vie, the war years (WW2), glam 80s and the turn of the 21st century.  The fashion, vogue and idiosyncrasies of each era are presented to the protagonists and antagonist as obstacles to overcome or alliances to make.

      This was her chance

      Focus! 

      She had been practising for months